Category Archives: Loom & looms & small loom weaving

Woven Women- And All Shall Be Well

One of my most favorite prayers is Dame Julian of Norwich’s …

“And All Shall Be Well, and All Shall Be Well, and All Manner of Things Shall Be Well….”

This prayer is a mantra that I repeat to myself through thick and thin, through the darkest nights and hardest moments-   we all have them, and they are transformed into a wellspring of compassion, but, oh my, how incredibly challenging it can be at times to navigate them.

Thank you, Dame Julian, for these words to live by…..

I love weaving words, and have done many woven homages to Dame Julian.

But, this is the first time I have woven her prayer in tapestry-

copyright Noreen Crone-Findlay www.crone-findlay.com

copyright Noreen Crone-Findlay http://www.crone-findlay.com

copyright Noreen Crone-Findlay http://www.crone-findlay.com

copyright Noreen Crone-Findlay http://www.crone-findlay.com

She is approximately 36 inches tall.

I wove the central tapestry panel on my Mirrix 8 inch tapestry loom at 6 epi.

The side and back panels were woven on my 4 harness floor loom at 12 epi.

On her face, there are bits of sea glass, fragments of pottery and seashells, as well as driftwood.

 

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Woven Women tapestries- Seven Ravens

The story, The Seven Ravens, by the Brothers Grimm inspired me to weave a tapestry.

I have been working on it for more than 5 months, and I am thrilled to have finally (!!!) finished it!!!!

While I was weaving it, I tried to remember to take progress pics, so I could make a little video showing how it grew.

I wasn’t very good at remembering to do that, so the pics really lurch and skip, but c’est la vie- sometimes, we lurch, don’t we?

And, now, thank goodness, it’s finally done!!!! yay!!! done done done!

copyright Noreen Crone-Findlay http://www.tottietalkscrafts.com

And, here is the little video showing how it grew:

I am now delighted to be warping up for a new tapestry- yay!

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Woven Women – Three Sisters

Three sisters of the heart- tapestry/mixed media pieces that I wove and fabricated this summer:

copyright Noreen Crone-Findlay http://www.tottietalkscrafts.com

On the left:  Woven Women- Asking for Miracles 36 inches tall
Center: Woven Women- Edith’s Song (no regrets) 31 inches tall
On the right:  Woven Women- Small Bird Sang and All Was Forgiven 36 inches tall

Woven on my Mirrix tapestry looms (16 inch wide loom and 8 inch wide loom).

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Woven Women-Asking for Miracles

Night and day for the last couple of weeks, I have been weaving up a storm, finishing Part 3 of  Rebecca Mezoff’s online tapestry workshop.

And, I have just finished: Woven Women- Asking For Miracles, which is built around the sampler that I wove for Part 3:

 

copyright Noreen Crone-Findlay http://www.tottietalkscrafts.com

The dragon ship on her chest is based on images in the Bayeux tapestries, and the tree of life is based on a fragment of the Overhogdal tapestry fragments that I saw in the Viking exhibition at the Royal British Columbia Museum in Victoria, BC in July.

The Overhogdal tapestry was woven with a linen background, with the figures outlined in soumak and the colors filled in with colored weft in a kind of brocade technique.

The imagery in these tapestries is just so marvelous that I find them really inspiring and love sketching elements from them.

For her head dress, bodice construction, cuffs and hem, I used narrow bands that I wove on my double slotted Swedish rigid heddle loom.

Her head, hands, shoulder medalions, and feet are plywood.

I drew, cut out and burned and painted all the wooden elements.

copyright Noreen Crone-Findlay http://www.tottietalkscrafts.com

Her earrings are made from beads, vintage buttons and reproductions of Viking coins that I bought in the Museum gift shop.

copyright Noreen Crone-Findlay http://www.tottietalkscrafts.com

 

copyright Noreen Crone-Findlay http://www.tottietalkscrafts.com

‘Asking for Miracles’ was woven on my 16 inch Mirrix tapestry loom and is about 36 inches tall.

And, that title?

Well…. there are a lot of things happening these days that could use some miraculous energy to set them to rights…

you know, the wars, the devastations that are being wrought on so many levels and in so many ways on our precious little planet.

As I weave, I often meditate on sending out peaceful, healing energy…. the stuff that miracles are made of, after all, so to be honest, I think that when I am doing this, I am asking for miracles…..

and may your life be full of miracles of healing, wholeness, wonderfulness in every way!

Miracles.

Yes, please.

 

 

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July 2014 Tapestry Diary

I’ve been so busy catching up since we got home from holidays that I forgot to post a pic of my July Tapestry diary.

Here it is:

copyright Noreen Crone-Findlay www.tottietalkscrafts.com

copyright Noreen Crone-Findlay http://www.tottietalkscrafts.com

The title is: ‘Questions’.

It’s 3 inches wide by 5 inches tall.

I wove it on my wee copper pipe loom at 8 epi.

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Woven Women- Small Bird Sang and All Was Forgiven

When we went on holidays in July, I took along 4 small looms- My Norwegian Cradle loom, my 8 inch Mirrix tapestry loom, my wee copper pipe loom and my tiny peg loom.

I warped up my Norwegian Cradle loom with fine cotton to weave a narrow band, using my Swedish double slotted rigid heddle.

The heddle is actually too wide for the Cradle loom, but oddly enough, this worked well in a quirky way.

I wove and wove and wove and wove  as we drove for many, many days, with the Norwegian Cradle loom in my lap:

copyright Noreen Crone-Findlay http://www.tottietalkscrafts.com

The cotton thread in the narrow band is in the same colors that I was using to weave the sampler for Part 2 of the online tapestry course offered by Rebecca Mezoff.

I knew that I wanted to have narrow bands as part of the figure that I was weaving, using the sampler as the body.

And here she is: Her name is:
“Small Bird Sang and All Was Forgiven”.

copyright Noreen Crone-Findlay www.tottietalkscrafts.com

copyright Noreen Crone-Findlay http://www.tottietalkscrafts.com

Her body is the sampler that includes the techniques that were covered in Part Two of the course.

I wove her arms separately, using techniques from Part 2 as well.
I have included driftwood from our beachcombing at the ocean, as well as found objects.

Her hands, head, feet and the archway panel are cut from Baltic birch plywood. (Lovely stuff!)

copyright Noreen Crone-Findlay www.tottietalkscrafts.com

copyright Noreen Crone-Findlay http://www.tottietalkscrafts.com

I burned the features with a wood burning tool, and then painted and embellished with encaustic.

She is 36 inches/90 cm tall.

copyright Noreen Crone-Findlay www.tottietalkscrafts.com

copyright Noreen Crone-Findlay http://www.tottietalkscrafts.com

I wove her body first, then re-warped the loom and wove the arms separately.

copyright Noreen Crone-Findlay www.tottietalkscrafts.com

copyright Noreen Crone-Findlay http://www.tottietalkscrafts.com

Her body and arms were woven on my 8 inch Mirrix tapestry loom, which I also took along on holidays, as it’s a fabulous little traveling loom.

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Woven Women- Edith’s Song

I’ve just finished weaving a new piece that I have called: ‘Edith’s Song: No Regrets’:

copyright Noreen Crone-Findlay http://www.crone-findlay.com

For the last 3 weeks, I have been weaving away, loving working on a sampler for Part One of Rebecca Mezoff’s online tapestry weaving workshop. LINK to her course outlines.  (Love the course, highly recommend it!)

While I was weaving it, I got inspired to weave the last section in 3 panels- one for the torso, and 2 for the arms.

I shaped the upper edge in a semi circle to be the neckline of her bodice, and left empty triangles at the elbows so I could shape bent arms.

I pulled the warp strands to bend the arms and to shape her torso.

copyright Noreen Crone-Findlay http://www.crone-findlay.com

I chose to leave the slits unstitched in the lower panel so I could weave in narrow bands that I had previously woven on my double hole rigid heddle loom.

copyright Noreen Crone-Findlay http://www.crone-findlay.com

I also used the narrow bands as the hem and other embellishments.

I cut the head, hands and feet from 1/4 inch plywood.

copyright Noreen Crone-Findlay http://www.crone-findlay.com

The wings were a serendipitous thrift shop find.

The beads around her face are a peyote stitch tube that I made a couple of years ago and have been waiting for the perfect project.

Woven on my 16 inch Mirrix loom, using Paternayan tapestry yarn that I inherited from my mother and handspun from my daughter in law.

She makes me feel happy.  🙂

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Tapestry diary June 2014 -Doorway

Having committed to weaving a tapestry diary for the year of 2014 has been a wonderful experience for me.

As I have been experimenting with my diary pieces, I have come to a huge ‘aha’ about the ways that I love to work.

I have found that weaving tiny tapestries, 3 inches/7.5 cm by 5 inches/12.5 cm truly makes my heart sing.

Here is my completed tiny tapestry for the month of June:

copyright Noreen Crone-Findlay http://www.crone-findlay.com

I wanted to show the small size of the tapestry by placing it in the context of my studio, and I inadvertently included  a little self revelation that made me flinch when I first saw the  pic.

My little rock with ‘good enough’ in chalk….. not feeling good enough has been a life long struggle for me, and it’s rather ouchie to have my little ‘good enough’ rock in the photo.

BUT, I figured that I am not alone in this struggle, so, what the heck…. if it feels too uncomfortable to leave the pic as is, I can take it down… but… maybe it could be helpful to someone else who navigates that particular minefield, too, so, I’ll leave it for now.

To be honest, the weaving in this piece does have aspects that are not good enough.

But, as I have lived with now for the few days since I finished it, I have decided that there’s more to it than meets the eye, and I like how I have had ‘aha’ moments with it- finding new meaning in it.

One of the rules of the tapestry diary that I have made for myself is that I have to ask myself:

Where am I right now? What am I working on?

And, then do a drawing that feels like it has possibilities to show me more about that.

When I began my June drawing, I was deeply grieving the death of one of our beloved little dogs, as well as several other losses.

It made me really aware of how those we love do come and go, and how tender and precious life is….  and that’s what came up in the drawing and the weaving.

On the other hand, my daughter in law thinks it looks like something out of Star Trek or sci fi.

LOL!!!!  That works for me!  I say: If you see something in it that I didn’t, then, YAY! that’s a win.

….. and that’s good enough for me…..

🙂

 

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Woven Sloth

The day my daughter said to me: “Mum, you should design a woven sloth!”, turned out to be a happy one 🙂

I had always liked sloths, but until I started designing one, I didn’t realize how incredibly enchanting they are.

Their sweet nature is so clear to see on their faces!

copyright Noreen Crone-Findlay http://www.crone-findlay.com

I’ve been weaving and selling sloths in my booth at Maker’s Faires and Artisan Markets for more than a year and a half now,  and people just love them- they always spark a chortle or a grin.

My daughter in law wants me to make one for her to hang on her spinning wheel, so I got out my potholder loom today and started working on one for her.

She told me that this week is ‘International Sloth Week’, so I thought… okay….

it’s time to publish my pattern in honour of the sweet slowpokes!

copyright Noreen Crone-Findlay http://www.crone-findlay.com

The pattern is available in my etsy shop:

https://www.etsy.com/listing/193617856/adorable-sloth-plushie-toy-to-weave-on?ref=shop_home_active_2

 

copyright Noreen Crone-Findlay http://www.crone-findlay.com

Happy Sloth Week!

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Woven Women – Spiral Eyes

A couple of days ago, I posted photos of ‘Woven Women- Spiral Eyes’ in process and with the weaving finished, but still on the loom.  LINK

I was planning on weaving more small diary pieces on the same warp, but- oops!

I broke a warp strand while advancing the warp- ack!

So, I cut the warp off and finished framing her:

copyright Noreen Crone-Findlay http://www..crone-findlay.com

My thoughts while weaving this piece were

that we simply have to come from a place of compassion….

which is what the spirals represent to me-

spiral in, spiral out.

The eyes, of course, are about seeing….

the blue around her face represents tears,

the green in the spirals is all about hope.

So… that’s what’s woven into a very tiny tapestry.  (It’s 3 inches by 5 inches)

 

 

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