Tag Archives: hand weaving

Woven Women: Mother Holdfast

The last year and a half or so has been quite a roller coaster ride with worry/anguish/anxiety over our daughter’s health issues.  I cannot even put into words what we’ve gone through, so I won’t….

But, things have resolved, and she’s come through surgery and now radiation, with flying colors, so we are all relieved beyond belief.

In the midst of dealing with our daughter’s healing process, our daughter in law suffered a miscarriage, which  threw us into more grieving.  Things were mighty, mighty rough.

I felt like I had to keep a very tight lid on the volcano of emotions- the worry, fear, uncertainty, sorrow, anguish, grief- you know – all that stuff that roils up when your beloved children are having a hard time.

Plus, we were all working our socks off all summer while dealing with all of this, and it just was so intense that it meant that I simply had to hold a very very tight focus, emotionally.

And, now that we have come through this harrowing passage, I am slowly releasing all that pent up stuff…

For me, the most healing way of doing that is in making art….

This is the direct result of the beginning of the process of transforming my volcano of emotion into a positive expression of beauty, while using all that energy in a directed way.

My husband and I took a break for a weekend at the beginning of September, and went to the west coast to visit sisters.

We came home with our suitcases full of driftwood, sea glass and seaweed- some of my most favorite raw materials, ever.

Three of the pieces of driftwood in particular called out to me.

So did a dried up kelp root, called, a ‘holdfast’, that one of my sisters gave to me- she has treasured it for a long time, and so it’s very precious.

The metaphor of ‘holdfast’, of roots holding a great kelp tree anchored in the ocean spoke so deeply to me as a symbol of what I, as the mother of young women and their loved ones in a time of troubles, was called to do in holding the energy for my family.

So, the name: Mother Holdfast rings true for me.

Here is the holdfast, being held fast in ‘Mother Holdfast’s hands…. which I made from wire.

copyright Noreen Crone-Findlay http://www.crone-findlay.com

One of the pieces of driftwood became the head of ‘Mother Holdfast’:

copyright Noreen Crone-Findlay www.crone-findlay.com

copyright Noreen Crone-Findlay http://www.crone-findlay.com

Another piece of driftwood became her shoulders, and the third one became part of her upper arm:

copyright Noreen Crone-Findlay http://www.crone-findlay.com

As soon as I drew, then burned the face onto the ‘head’ piece of driftwood, Mother Holdfast let me know exactly what colors and textures she wanted me to weave.

So, I warped up and wove at a feverish, furious pace…..

And, then, I started layering, stitching, layering more, weaving more….

copyright Noreen Crone-Findlay http://www.crone-findlay.com

Until Mother Holdfast was complete….

She is TALL! She is almost 6 feet 6 inches tall….

As well as my woven fabrics and inkle bands, I have also stitched and woven in antique and vintage lace fragments, tatting (tatting goes with me everywhere, and keeps me sane when I am having to wait or watch or…), smaller fragments of driftwood and seaweed, and spool knitted wire cords that I filled with sea glass.

Here’s the lower part of her dress:


copyright Noreen Crone-Findlay http://www.crone-findlay.com


copyright Noreen Crone-Findlay http://www.crone-findlay.com

‘Mother Holdfast’ has been a powerful healing experience for me to create.

One of my dear friends was looking at her, and then turned and asked me:

‘So, my dear, what does she want you to do next? Where will she lead you?’

An interesting question, indeed…..

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Filed under Loom & looms & small loom weaving, Uncategorized, weaving & handwoven, Woven Women tapestries and woven works

Geometric Butterfly Motif to weave on the potholder loom

For the last couple of years, I have been working on a new design for the potholder loom.

It’s for a Geometric Butterfly motif- and I have finally finished the pattern for it, and for a bag and wrap made using it.

copyright Noreen Crone-Findlay http://www.crone-findlay.com

I have listed the pdf pattern on my website on the potholder loom page  LINK

copyright Noreen Crone-Findlay http://www.crone-findlay.com

The Geometric Butterfly motif is wonderful for bags:

copyright Noreen Crone-Findlay http://www.crone-findlay.com

copyright Noreen Crone-Findlay http://www.crone-findlay.com

and wraps

copyright Noreen Crone-Findlay http://www.crone-findlay.com

copyright Noreen Crone-Findlay http://www.crone-findlay.com

It would also make beautiful prayer flags, pillows, afghans, vests, throws, wall hangings, table runners and whatever else your heart desires.

It’s a great way to showcase handspun yarns, but commercial yarns work just fine with it.

Tarn, or t shirt yarn is also great in the Geometric Butterfly pattern.

The pattern has full color step by step photos and diagrams, and comes with links to helpful videos.

There is a separate pdf that has all the step by step photos and instructions for how to weave all the different shapes on the potholder loom.

Isn’t it amazing what you can do on the simple potholder loom? 🙂

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Filed under Loom & looms & small loom weaving, potholder loom, weaving & handwoven

New woven vest with hood

Several months ago, a young woman looked at my woven vests, and then asked if I could weave a vest with a hood on it.

I’d never thought of that… but decided that it was a very good idea indeed!

I’ve been mulling it over, and wove up some fabric for it.

I wanted to add a narrow band that would go up the fronts and around the opening of the hood.

On the Saori group on Ravelry, there is an ongoing conversation about weaving with 7 warp strands.

Well, why not?

So…. I choose 7 different yarns/threads for my warp:

copyright Noreen Crone-Findlay http://www.crone-findlay.com

copyright Noreen Crone-Findlay http://www.crone-findlay.com

Because I love weaving little square motifs, I combined sock yarns, embroidery floss and various yarns and threads while weaving clasped weft technique.

copyright Noreen Crone-Findlay http://www.crone-findlay.com

I wove the band on my Saori loom.

When I finished, the narrow band was just slightly short of 9 yards long.

Golden retrievers are so gracious about modelling!

copyright Noreen Crone-Findlay http://www.crone-findlay.com

I didn’t use a pattern.

I just draped the fabric on myself and on ‘Patient Zillah’, the mannequin I made from cardboard and wood:

copyright Noreen Crone-Findlay http://www.crone-findlay.com

When the hood is down, it gives a lovely shawl collar.

 

copyright Noreen Crone-Findlay http://www.crone-findlay.com

I decided against stitching a button on, and just pin it closed.

 

copyright Noreen Crone-Findlay http://www.crone-findlay.com

Wow… I look so cross-eyed!  (My husband thinks I should have let him take the pictures LOL)

 

copyright Noreen Crone-Findlay http://www.crone-findlay.com

The navy blue edging is spool knitted cord.

There is a problem with this new vest.  😦

I was planning on selling it, but I have fallen in love with it, so, I am clutching it to my heart, and it stays with me 🙂

 

 

 

 

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Quick tip for cutting hand woven fabric

So many people are afraid to cut their handwoven fabric….

BUT…. conquering the fear of snipping means that you can chop away with great gusto and whip up fabulous, one of a kind garments and accessories! So, YAY!

copyright Noreen Crone-Findlay http://www.crone-findlay.com

I was cutting out a spiffy hat today, and it struck me that I should make a quick little video to show what I do to cut off a length of fabric from my main piece of hand woven. So here’s what I do when I am cutting out the pieces for a project:

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Woven Women- Sun setting, Moon rising

This week’s Woven Women tapestry has a long title:

Sun setting

Moon rising

Small wave at ocean’s edge

touches Her foot…..

copyright Noreen Crone-Findlay http://www.crone-findlay.com

Woven 2012-2013

7 inches wide by 14 inches tall

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Woven Women- In the Heart of the Flower

In the deep mid-winter, I long for flowers.

My studio is full of plants that bloom, and I am grateful for their beauty.

Even though I can’t have flowers growing outside in the deep deep snow and ice,

I can dream of flowers and weave yarn songs to blossoms and blooming……

Here is my homage to flowers and blossoms:

copyright
Noreen Crone-Findlay
http://www.crone-findlay.com

She is 15 inches wide by 39 inches tall.

See: Woven Women-Dreaming the Well   LINK   for a photo of how I weave these tapestries on peg looms.

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How to weave a hexagon using continuous warping and weaving techniques on the Lily Speed O Weave loom

copyright Noreen Crone-Findlay

copyright Noreen Crone-Findlay

A couple of years ago, when I was working on the designs for The Lily Speed O Weave design book LINK,

I figured out how to weave a hexagon on the loom, using continuous weaving methods.

copyright Noreen Crone-Findlay

copyright Noreen Crone-Findlay

The method is slightly tricky (it took me a LOT of experimenting to figure it out!) and has one disadvantage….

You have to use quite bulky yarn or else the hexagon is really loopy and open meshy (aka ‘sleazy’).

I decided that this made it not worthwhile to share the technique, as the knotting technique that was traditional for the Lily Speed O Weave loom allowed you to use absolutely any weight of yarn or thread.

Besides, I had figured out a way of speeding up and streamlining the knotting process, so I decided to just go with that.

But, a few days ago, a lady on Ravelry asked if anyone knew how to weave continuously on the hex loom and wasn’t into the knotting technique.

So, I figured…. okay…. I’ll make a video showing how to do this….

copyright Noreen Crone-Findlay

copyright Noreen Crone-Findlay

The secret to weaving continuously on the Lily Speed O weave looms?

Mashing up triangle loom weaving techniques with the continuous weaving technique of the potholder loom.

AND>>>> There’s a VERY important switcheroo that you have to make, mid-stream, as it were.  🙂

Once you have mastered the technique, it’s REALLY quick and easy to weave up hexagons on the Lily Speed O Weave loom!

copyright Noreen Crone-Findlay

copyright Noreen Crone-Findlay

And, here’s the video to show you how to do it:

Happy Hexagons! 🙂

 

 

 

 

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Woven Women-The Eyes of the Butterfly

When I became a grandmother, I saw the world in a whole new way…. through the eyes of the butterfly…..

Seeing my grandson emerge, and witnessing him ‘spread his wings’ makes it so heartrendingly clear just how magical and fragile our precious world is.

In response, I wove this tapestry, which  is a love song to my daughter and her son.

Becoming a grandmother means that I now sing a love song to all the tender new lives that we must nurture.

copyright Noreen Crone-Findlay

copyright Noreen Crone-Findlay

Tapestry: Woven Women-The Eyes of the Butterfly

by Noreen Crone-Findlay 2012-2013

approximately 14 inches wide by 36 inches tall

The yarn used in the tapestry is special to me for 2 reasons…. one is that most of it came from my mother’s collection of yarns, and the rest of it was spun by my beautiful daughter in love, Alliston Findlay.

Lots of precious threads here…..

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Woven Women- Out of the Mist

My mother passed away recently, and one of the ways that I have been processing my grief is to take it to my looms and weave about it.

Because I am deeply focused on weaving tapestries and woven pieces for my solo show, ‘Woven Women’, it was natural that this weaving would take the form of a Woven Woman.

My mother suffered from a form of dementia,  I have been feeling is how sweet it is for her to be released from that dreadful fog of confusion……..

And, so, I have woven a piece on my Saori loom with supplemental embellishment with my stick weaving loom,  that I call:

“Out of the Mist”.  She’s approximately 30 inches tall by about 10 inches wide at the widest point:

'Out of the Mist' by Noreen Crone-Findlay (c)

‘Out of the Mist’ by Noreen Crone-Findlay (c)

One of my close friends gave me a seashell instead of a card, and it felt natural to have it become part of this piece.

I made a Kumihimo cord and tied a Celtic everlasting knot, which is stitched to her forehead, but barely visible under her cowl.

Weaving this tribute brought me great peace and comfort, and I think that my Mom would like it a lot.

Yes, I think that she does…

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Filed under Peg and Stick Loom weaving, peg looms and weaving sticks, weaving & handwoven, Woven Women tapestries and woven works

Soumak Pouch Weave Along – Part 3 – Warping the Looms

Today’s installment of the Soumak Pouch  Weave Along is a video tutorial about warping the looms for the ‘no warp ends’ technique that will be the foundation of the Soumak Pouches.

copyright Noreen Crone-Findlay

There are a number of hints and tips that I have found that make warping for the  pouches much quicker and easier.

The video shows how to warp  the 8 inch and 12 inch  Mirrix looms, using ‘s’ hooks.

The Mini (5 inch loom) is warped using the ‘no warp ends’ kit from Mirrix.

The looms are almost gift wrapped after warping!

Really?  Yes 🙂

I have found that using ribbons to tie around the ‘s’ hooks on the lower edge of the 8 inch, 12 inch or larger Mirrix looms keeps the weft yarn from getting snagged on the hooks while weaving.

And, the Mini wears little babushkas or headscarves!

Yep. I tie bias tape or ribbon around the ends to cover the paper clips and keep them from snagging on clothing and to protect them.

I know it may seem odd, but it makes the weaving go more  smoothly.

And, having the weaving be a joy is really important 🙂

Here’s the video that shows how the warping is done for the Weave Along:

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