For the last 6 weeks or so, I have been weaving up a storm, working on an installation for the Green Window City project in Edmonton Alberta. Link to Green Window City
I wove 7 banners ( each 5 yards long) from cut up clothing and t shirts cut into t shirt yarn (tarn and ‘Farn’- fabric strip yarn) on my Saori loom.
Vests are one of my most favorite garments to design, weave and wear.
I have just finished two new vests that both have something that I believe to be essential: Pockets 🙂
I didn’t use a pattern to make the vests, but I was inspired by design #51 for a jacket, in the Saori weaving book that has a black cover.
I don’t know the actual name of the book, as it’s all in Japanese, but if you contact your local Saori dealer, I am sure that they will be able to sell you the book. The Saori books are all fabulous beyond words, and are all treasures!
I wove the fabric for the red vest on my Saori Piccolo loom, which is a joy to weave on. The fabric for the turquoise vest was woven on my 4 harness table loom.
The warp for the red vest was 10 inches wide and the warp for the turquoise vest was 17 inches wide.
They were both woven at 10 epi.
They both work well worn open, or pinned shut with a brooch, or tied with a belt or sash.
When I was weaving the fabric for this vest, I was playing with the fibonacci sequence, and also playing with numbers in other ways… in a way, I was coding messages of love, good health, happiness and abundance into the fabric as I wove it!
Weaving is so meditative, and it’s fun to deliberately figure out ways of ‘weaving happiness’ into my fabric 🙂
And those oh so important pockets! I wove the fabric for the pockets on my 4 harness loom.
I used a wool cotton blend for the weft when I wove the band at the top of the pocket so it would shrink and pull in to shape the pocket.
There are so many neat ways to shape garments, and using threads that you know will shrink is a ‘secret tip’ that works well for getting sections of your weaving to pull in and gather after the fabric is washed.
I’m trying very hard to not get too attached to these vests, as I am going to be offering them for sale at the maker’s faire that I am participating in this weekend… (On the Spot Maker’s Faire at the Boyle St Plaza in Edmonton AB on Feb 8 & 9).
Because I love weaving little square motifs, I combined sock yarns, embroidery floss and various yarns and threads while weaving clasped weft technique.
My mother passed away recently, and one of the ways that I have been processing my grief is to take it to my looms and weave about it.
Because I am deeply focused on weaving tapestries and woven pieces for my solo show, ‘Woven Women’, it was natural that this weaving would take the form of a Woven Woman.
My mother suffered from a form of dementia, I have been feeling is how sweet it is for her to be released from that dreadful fog of confusion……..
And, so, I have woven a piece on my Saori loom with supplemental embellishment with my stick weaving loom, that I call:
“Out of the Mist”. She’s approximately 30 inches tall by about 10 inches wide at the widest point:
‘Out of the Mist’ by Noreen Crone-Findlay (c)
One of my close friends gave me a seashell instead of a card, and it felt natural to have it become part of this piece.
I made a Kumihimo cord and tied a Celtic everlasting knot, which is stitched to her forehead, but barely visible under her cowl.
Weaving this tribute brought me great peace and comfort, and I think that my Mom would like it a lot.
I dreamt that I was invited to visit the workroom of a friend who passed on awhile ago.
She and I had written back and forth for several years before her death.
I still hold her dear in my heart, even though we never got to meet, face to face, in this world.
Anyhow, in the dream, I was invited into 2 gorgeous little rooms that were full, floor to ceiling, with antique drawers and shelves, full of exquisite handmade lace and yarn, and thread and weaving and embroidery.
It gave me a whole new view of heaven! 😀
I was particularly moved by the colors of one jacket and 2 bags that were woven with a range of reds and blues and then embroidered with yellow silk thread.
For the rest of this week, I have been glued to my loom, and then my sewing machine, weaving a vest that was inspired by the dream.
It has been such an interesting voyage of discovery, as it took me places that I didn’t expect to go, and it had it’s own rules and requirements.
Here it is:
copyright Noreen Crone-Findlay
I wove it on my Saori loom, blending the yarns on the bobbin, and adding and picking up strands of weft as I wove.
copyright Noreen Crone-Findlay
I knew that I was going to be shaping the vest by pulling on warp strands to add the curves that would build the vest, so I worked at making the shapes of the clasped weft be conducive to the warp pulling process.
I had thought that I would use the narrow band to add another ruffle to the outside edge, but I decided instead, to use it to weave the back of the vest.
This is one of the things I love about Saori weaving- being able to do freeform work that takes off in a different direction than I had originally planned!
I like to shape the garment after I have woven it, so I do my warp pulling after the weaving is off the loom, and don’t do any shaping on the loom.
The butterfly was woven while it was still on the loom.
I had thought that I would embroider lots of dragonflies onto the vest.
I didn’t embroider the dragonflies while it was on the loom, as I wasn’t sure where I would be placing the pulled warp sections, and didn’t want the embroidery to be distorted or to interfere with the pulling process.
copyright Noreen Crone-Findlay
I had woven the butterfly a couple of weeks ago, and set it aside, as the piece that it had originally been part of felt like it was a ‘fail’.
How wrong I was! The butterfly and another section of the ‘fail’, fitted into the back of the vest just perfectly.
copyright Noreen Crone-Findlay
I thought that I would tat some dragonflies and stitch them on, but they just didn’t work.
It’s a wonderfully comfortable vest, and every time I wear it, I will think of a dear friend, and how she still inspires me!
So, my friends, here’s to life, to color, to love, and to the creative process!
May you weave sweet, colorful dreams! 😀
And, here is a video on how to shape fabric by pulling warp strands:
About a year or so ago, I wove up quite a few yards of very playful fabric.
I love the gentle Saori philosophy of creative freeform weaving that is an expression of creativity and an exploration of imagination.
My plan was to use this fuzzy Saori inspired fabric to make a soft, cozy wrappie jacketie sort of a thing to keep me warm in the studio when winter wails away outside.
BUT- I just couldn’t settle on how to use the fabric.
After much teeth gnashing, I thought: ‘Aha! I am going to make it into one of my most favorite things: A shrug!’
So, I laid out the fabric on my cutting table, cut it in half (it was about 3 yards long and only about 14 inches wide).
copyright Noreen Crone-Findlay
I sewed the 2 halves together lengthwise to make a wider, shorter piece of fabric.
copyright Noreen Crone-Findlay
Then, I cut a slight curve at the top for the neck, and curves under the arms.
copyright Noreen Crone-Findlay
And then, I folded the shrug in half, and pinned the living daylights out of it.
Looked at it and groaned…. I had pinned it together the wrong way.
Sigh….this is why I pin pin pin pin pin…. pins have saved my bacon more times than I care to remember!
Okay, unpinned, flipped, re-folded, and pin pin pin pin pin pin pin pin….. and stitched the under arm seams.
Then, I pulled up the selvedge strands of a long narrow piece (about 6 inches wide by about 3 yards long) to gather it into a gentle ruffle. This length of fabric was one that I had woven on my Cricket rigid heddle loom – originally for another vest (but I saw how perfect it would be for the ruffle, so I ‘re-purposed’ it for the shrug 😀 )
I stitched the ruffle around the outside edges of the shrug, forming a collar, front facing and lower back edging.
I sewed the short edges together at the lower back edge.
copyright Noreen Crone-Findlay
Here’s the back view:
copyright Noreen Crone-Findlay
The cuffs are 6 inch by approximately 18 inch lengths that I gathered by pulling up a couple of warp strands at the selvedge.
I stitched the short ends together, and stitched them onto the sleeves. Voila! Bell shape cuffs.
By pulling the warp strands up to gather the trim piece and the cuffs, I was able to avoid cutting the hand woven fabric any more than was necessary.
I stitched the shrug together on my machine, with a stretch straight stitch and zig zagged the edges of the seams to add a little more security.
And, there you have it- a VERY playful and cozy one of a kind, hand woven freeform shrug!