Category Archives: Loom & looms & small loom weaving

Fanciful freeform stole with Lily Speed-O-Weave motifs, crochet, spool knitting & inkle bands

I am just so happy, as I have been working really hard for the last 9 months on a book that has taken years to create. AND, today, I released it!

It’s: The Lily Speed-O-Weave Loom Book: Fab New How To’s, Designs & Projects For a Vintage Classic Loom  (click on the title for the link to my etsy shop)

It’s full of how to techniques, including nifty things that I figured out, like how to weave half hexagons and triangles on the hexagon loom, so you can make awesome stuff. (like baskets and coats and vests and bags and and and)

Lily Speed-o-weave freeform stole by Noreen Crone-Findlay copyright

One of my fave inspiration pieces in the book is a Freeform stole that I made using hexagons from the Lily Speed-O-Weave loom, as well as crocheted motifs (lots of fairies, flowers, hearts and butterflies), spool knitting, inkle band weaving, potholder loom motifs, and tatting, all connected by crocheted chain stitches.

I wanted to inspire people to think outside the box when they are playing with small loom weaving, and to feel brave about combining it with crochet, tatting, spool knitting and, of course, their Lily Speed-O-Weave loom motifs.

Lily Speed-o-weave freeform stole by Noreen Crone-Findlay copyright

Lily Speed-o-weave freeform stole by Noreen Crone-Findlay copyright

Lily Speed-o-weave freeform stole by Noreen Crone-Findlay copyright

Lily Speed-o-weave freeform stole by Noreen Crone-Findlay copyright

Lily Speed-o-weave freeform stole by Noreen Crone-Findlay copyright

Lily Speed-o-weave freeform stole by Noreen Crone-Findlay copyright

Lily Speed-o-weave freeform stole by Noreen Crone-Findlay copyright

Lily Speed-o-weave freeform stole by Noreen Crone-Findlay copyright

I couldn’t resist putting in the pic of our greyhound. As soon as I laid the stole down to take pics, he was on it.

He was sure it was for him!

LOL

This stole drapes beautifully and is wonderfully comfortable to wear.  Hope it inspires you to play with your yarn in new ways!

😀

 

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Small loom weaving in springtime

All the looms in my studio have been full of happy warps.

As well as working oh so hard on a couple of new books (one on potholder loom weaving and one on Lily Speed-O-Weave looms) as well as designing for magazines, I have been weaving up a storm.

Here’s a little of what’s going on:

Saori-tunic-shirt-yardage

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I am working on a new freeform weaving  jacket that is all in creams, whites and naturals.  This is the first sleeve.

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There are several yards of the jacket fabric on ‘Patient Zillah’, my ‘paper doll’ manequin- the jacket fabric is the widest, plain cream, highly textured layer under amost a hundred yards  of narrow strips of fabric. I wove  the jacket fabric on a rigid heddle loom.

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I am also working on a tunic or shirt for me and am going to be piecing strips of narrow fabric together for it.

The narrower lengths of fabric were woven on my Structo loom.

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I am madly in love with small loom weaving, and dearly love  my old vintage looms.

I have had to do some fixing up to make it work, but it’s been pure delight to get it fully functional again.

I put really really long warps on them and have had a delightful time playing with clasped wefts as well as different patterns.

I love the freeform philosophy of weaving- it’s all about feeling free to play and express your creativity in any way that ignites your imagination.

So, when I was learning the ins and outs and ups and downs of the Structo looms, I felt quite free to change my flight plan whenever I got bored with a pattern or became interested in a new one. It’s all about the learning process and I love that.

My shirt/tunic will be a record of some very playful weaving.

I am hoping that he will let me break loose and weave him a much ‘jazzier’ vest to go over the serene shirt!!!

I wanted to do a beautiful, artsy photo of the miles of fabric, draped over the branches of the apple tree that is right outside the studio window. It’s heavenly – stuffed full of glorious blossoms, and oh so beautiful!

BUT!

The mosquitoes are so vicious and the clouds of them are SO intense, that I am barely able to go outside, let alone be draping miles of fabric in the tree! so, you’ll have to use your imagination, and just envision all kinds of lovely fabric strips hanging in this tree:

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Would you like to see a little of what I have been up to with my potholder looms in the last year, as I work on the new book?

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This is the ‘Gossamer Wings Woven Butterfly Shawl’ to weave on the Potholder loom.

I love this shawl so much that I decided to release it as a stand alone pattern.

You can read all about it, and order the pattern, if you’d like, 🙂 at:

http://www.crone-findlay.com/Crone-FindlayCreationsPotholderLoomWeaving.html

I decided to take a little break and finish the book on weaving on the Lily Speed-O-Weave loom.

I’ve been working on this book, on and off for several years, and finally, after a whole bunch of people have sent me notes, asking for it, I decided: Okay… Just do it!

Of course, I totally under-estimated how long it would take to do it, as I have been re-writing, re-photographing, photo-shopping, then re-doing it all over and over… you know how it goes in the editing and polishing… and besides, I got all inspired and excited and came up with a whole bunch of new projects.

One of the things that struck me this week, is that I really needed to put in at least one project that shows a traditional pattern on the Lily Speed-O-Weave. I have been so busy with coming up with innovative ways of working with the looms, that I forgot that there will be people who want some of the ‘classic’ stuff, too.

So, here’s for the fans of the ‘classics’…. the standard flower pattern…. although, I present it in a way that is a heck of a lot easier to understand than some of the old old booklets.

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So, there you have it!  A little of what’s been going on in my studio!

Happy springtime and happy yarntime!

And, as always, big hugs all round 🙂

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Another woven Gypsy Jacket done

I decided it was time to finish weaving the pieces for the new Saori style Gypsy jacket and get stitching them together.

So… I pulled the plug out and got to work.

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Which pleased Ms Kitty enormously.

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I like to do most of the stitching by hand, but do re-enforce the back neck edge with machine stitching, as it takes the lion’s share of the weight of the jacket.

After 2 days of stitching away on the jacket, I thought… oh oh… what if I don’t like the jacket…. or what if it doesn’t fit?

I assumed that since the first woven jacket fits just fine, that this one would, too…. and then had the ‘yikes’ about it….

It fits the furgrandkid beautifully, with a little room to spare…

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At first  I thought that the new jacket was a little shorter than I wanted it to be…. but, my husband disagrees…. he thinks it’s just the right length.

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If I do decide to add more length to the hem, it’s easily done. Just weave up a band, and stitch it on.

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Alright… this jacket is done… now back to work on the new book! 🙂

The pattern for this jacket is based on pattern # 51 in the Saori pattern book – available from your favorite Saori weaving studio.

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Clasped weft weaving for handwoven Gypsy Jacket

People kept asking me how many hours it took to weave my first “Gypsy Jacket”. See: First Gypsy Jacket

So, I thought that I would set myself a challenge.

I decided that I would weave another one and log in, keeping track of all the hours I put into weaving a Gypsy Jacket.

I logged in an absurd number of hours of weaving time, and decided that I just didn’t want to know anymore just how many hours I put in.

Why did it take so long?

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Because I was using a very slow technique, of working with 2 sets of clasped wefts to get more color play into my fabric.

I only used one shuttle, but had yarn on cones to the right of the loom, and yarn on spools on a spool rack to the left of the loom.

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The shuttle comes out of the warp strands between picks and sits on the surface of the web, about 6 inches from the left hand edge.
The first motion is to open a new shed, pass the shuttle into the shed, take it out to the left, go under the strands of yarn that are hanging from the spool rack, pull them into the shed with the yarn from the shuttle.

Bring them into the place where you want them to end. There is a double strand of that set of weft strands.
Now, the shuttle goes to the right hand edge and out , and goes under the yarn that is on the cones. The shuttle goes back into the shed, and is pulled up, bringing the 3rd color as far as desired. The shuttle then is moved back to it’s exit point, the shed is closed, beaten, and the next shed is opened. The whole process is repeated.
It’s slow, but you can create pretty intense colorways this way.

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Of course, it’s faster to just use one set of clasped weft yarns, but by clasping from both selvedges, you can get some pretty gorgeous patterning.

So far, I have used 5 different looms for this jacket, and still have a couple more that I will be working with to complete the weaving of the parts of the new Gypsy Jacket.

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One section was woven with a cradle loom and a small rigid heddle.

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And, one section was woven with a small Goodwood frame loom. I love frame looms, and used another frame loom for other pieces of the jacket.

More weaving to go…. and then the sewing.

Would I sell the jacket?  Well, yes, actually.  🙂

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Hurrah! My Gypsy Jacket is done

Last summer, I bought a huge cone of variegated red shaded mohair at one of our fave thrift shops.

Ever since then, I’ve been thinking: Ooooh…. gotta weave myself a red jacket with that yarn….

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Just before Christmas,  I thought- Mmmm… why don’t I warp up that neat red mohair and weave myself a new jacket to wear to Jim’s Christmas concert? (My husband, Jim, is a jazz musician extraordinaire, and his trio always does a jazzy Christmas concert every year).

So… I got warped, and wove and wove and wove…and wove up 2 yummy lengths of freeform weaving yardage for the jacket.

I had scissors clutched in my hand, poised above the yardage, about to cut it out, using a pattern that I had never made before.

Luckily, my little inner ‘Oh Oh Voice’ popped up and asked if I was nuts, and shouldn’t I consider making the jacket up in commercial fabric first before I slashed my way through my yards of handwoven treasure?

I went… oh… what a good idea.

I whipped up the jacket in some stash fabric and was aghast to discover that it looked truly horrible on me! Yikes!

Luckily, it looks fab on my daughter in law.

I was so put off by the whole thing that I folded the fabric up, plopped it on the top of a shelf in the studio and carried on with Christmas-ing.

Last week, when I realized that the concert that the ‘Road to Django’ concert that Jim was playing in on the 23rd was a really important one for him, I thought: I need to make something really spiffy to wear to it!

And discovered that I didn’t have anywhere near enough fabric, as I am quite tall  and that means that there is a lot of me to cover!

So, I warped up and wove the 2 sleeves for my Gypsy Jacket.

And then, started snipping and stitching it all together.

Did I take pics of the process?

No… my camera is stuffed full of step by step photos for my new book, and so I didn’t want to take the time to deal with those while I was frantically building the jacket.

As we were racing out the door to the concert, I had to leave one pocket still on the loom.

Just not enough time to finish the weaving, and to get it stitched onto the jacket.

I had some doubts, as I was putting the jacket together…. I wasn’t sure that it was going to work.

BUT… I love it!

It is the MOST comfortable jacket – and it’s just plain fun to wear.

NOW… I can hardly wait to get warped up for the next one!

Here’s a larger view of the jacket:

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What looms did I use? A 24 inch rigid heddle loom, an inkle loom, a potholder loom, a frame loom, and a 2 inch square vintage weave-it loom.

I stitched it all together by hand, but did use my sewing machine to zig zag the cut ends of the fabric.

Yarns: Mohair, silk, wool, cotton, chenille.

Today, I finished weaving the second pocket and stitched it onto the Gypsy Jacket.

By the way, the concert was FABULOUS!!!

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Weaving Goddess tapestries with my cat

For weeks and weeks, I have been avoiding working on one of my Goddess tapestries.

 

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I just couldn’t summon the courage to weave her face…

The metaphor or pun is, of course: I couldn’t face her.

Well… I decided yesterday, that I am going to finish weaving her before this year is done.

So, I got out the lovely new sketchbook/journal that my daughter gave me for Christmas, and the gorgeous aquarelle watercolor pencils that my son gave me, and started sketching:

 

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That was exactly what I needed to break the barriers I had set up between the tapestry and myself.

Then, under the close supervision of Ms Kitty, who settled in on her usual perch: I wove the face four different ways.

I kept tearing it out and re-weaving until I was happy with it.

Tapestry weaving is wonderfully forgiving: You simply go back and pull out what you don’t like and weave again until you find the solution.

It’s fascinating, because, as I weave, I become aware of all the running chatter that flaps through my mind.

I have to consciously work at stilling the negative voices and work on letting just the appropriate stuff through.

So, weaving is a VERY Zen process.

 

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Just ask Ms Kitty.

She knows all about Zen.

And, she also knows all about weaving.

She’ll be happy to tell you about it.

Or perhaps she’ll just smile sweetly at you and wink.

 

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A little woodworking with my tapestry weaving

Weaving and woodwork are completely interwoven at our house.

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I am working on an ongoing series of woven tapestries.

 

(In amongst working on a new book and a million other things… never a dull moment!)  🙂

I love weaving on frame looms, and find them to be a joy for tapestry weaving.

One problem with frame looms – especially a BIG one like my Goodwood (no profit in saying how much I like their work, just a happy customer) 13 inch frame loom (actual dimensions are close to 16 inches wide by about 32 inches tall) is that it’s waaaaaaaaaay too big for working in my lap.

So, I went out to the workshop and made an easel for it.

I get the heeby jeebies at the thought of drilling holes into a gorgeous loom.

But, it was essential to have holes in the sides for attaching the folding stand.

So I got Jim to drill the holes! LOL 🙂

 

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While I was out in the workshop, I couldn’t resist making myself a couple of small tapestry beaters and some funky tapestry flat bobbins.

Why do tapestry bobbins need to be round and turned on the lathe?

They don’t.

I saw a photo of a flat tapestry bobbin somewhere on the net, and had a huge ‘aha’ moment!

And have discovered that I really quite like the little one of a kind carved ones.

They are slow to make (which is why machines are used to whip out the commercial ones) but are a treat to use.

And, will I be selling them? Nope…. too much work to make them.

Will I continue to make more for myself?

Intermittently…. I am deep into working on my new book, and there aren’t enough hours in the day…..

I have a tiny beater that I use for the miniature tapestries that I have been working on, but haven’t been able to find my full size beater.

So, it was a good excuse to play with some lovely walnut wood that we were given years ago, and make myself some Goddess shaped tapestry beaters.

 

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The new beaters and bobbins are a treat to work with.

The tapestry is moving along nicely, although the ‘hours in the day’ issue is a hard one to get around!

One of the other tapestries that I am working on is on ‘wait’ mode…. but I hope to get back to it soon.

But, the new book is first and foremost, so that’s my focus right now.

As I make progress on it, and as we get the technical problems we’re having resolved, I’ll post more about it.

🙂

I have been having a very frustrating time with technical problems on my blog lately, and we have spent a ton of time trouble shooting. I haven’t been able to upload pics, so have spent hours and hours fiddling around with deleting old posts, in case that is the issue…. hopefully, we’ll get to the root of the issue soon!

All material on this blog is copyright protected and may not be used without permission from Noreen Crone-Findlay

 

 

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October just pranced away on us!

Whoops…  October has shot by without a single blog entry from me….  which has been brought to my notice by getting emails from friends and relations asking, ‘Why?’

One of the reasons is that I am having trouble with uploading photos and I get so fed up that I just stomp off and go humph.

 

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Oho! I just discovered that I am too close to having used up all my allotted space on this blog- so that’s why it didn’t want to accept the photos!  I went and did some ‘housecleaning’ and will delete some more stuff so that I can carry on.

The photo that I ~finally~ figured out how to upload is of one of my new looms.

It’s a lovely little loom from Goodwood Looms – one of their mini inkles. (No profit in me telling you that I love their looms, just a satisfied customer. And, I did use one of their frame looms in my book: The Woven Bag.  I always feel odd saying “No affiliations”, as I do get very fond of my looms, and so I do feel ‘affiliation’ – so it’s more honest to just let you know that I don’t make profit by singing praises of the things I love).

I ordered another frame loom, too, as I love the one I already have, but it appears to have gotten stuck to the desk of some bloke in Customs.

Aw, c’mon! I want my loom! Puhleeeeeeeeeeeeeze  release it!

I have been weaving up a storm….  I am working on some new pieces that I will be making a gallery page for on my new website (which I haven’t managed to get done, oh my…. oh my)

I  also have just bought a couple of wonderful new weaving books- I am now working my way through Laverne Waddington’s  ‘Andean Pebble Weave’ book  (Link)

It’s awesome.  I had done pebble weave on my Inkle loom, based on Helene Bress’s book, and it’s a very different kettle of fish than the way Ms Waddington presents it. I am soooooooooo excited by the possibilities of working with the Andean Pebble weave.

As a dyed in the wool small loom aficianado, I love the potential for creating intensely complex patterning using this technique on small looms.

I am so grateful to Laverne Waddington for the years of exploration and study that she has immersed herself in and for her generous sharing of her scholarship and expertise.

One other thing that I just have to comment on is that she has such a lovely presence in her videos- she seems like a total sweetheart, and that comes through so beautifully in all that she does.   I hope that she will be doing more books.

I chose to go with the paper copy and I am glad that I did, as I like to be able to work at different places in the studio, and this way, I am not tied to the computer desk.

AND… a big thank you to Syne Mitchell for all the hard work that she does in bringing such deliciousness to the weaving world! Yay!

The other book that I’ve just bought is Jane Patrick’s new book: The weaver’s idea book:creative cloth on a rigid heddle loom.

LINK (and I just noticed that they also have 2 of my other all time most favorite books ever at this link: Helene Bress’s Inkle Weaving and Betty Davenport’s Hands on Rigid Heddle weaving.  They are MUST HAVES).

The Weaver’s Idea Book is also destined to become one of my treasured books.  It is stuffed full of really useful information. It’s beautifully presented, and the book itself is a sturdy piece of technology that I love: a hardcover that opens up to be coil bound inside.

Again: No affiliations, just loving both books.

What else have I been doing instead of blogging? Well, I’ve been busily designing crochet and knitted projects for yarn companies and magazines, so that has cut into my weaving time!

And, working on new book proposals… we shall see how those go….

And, a million and one other things that leave me wondering at the end of the day- ‘Who pushed the fast forward button?’

🙂

 

 

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How to weave a square on the bias on the potholder loom

For weeks and weeks, I have been meaning to get my video tutorial of how to weave bias squares on the potholder loom posted to YouTube.

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What with one thing and another, I haven’t gotten around to it.

One thing that was odd, was that I simply couldn’t upload videos for awhile. I just gave up on YouTube. Anyone else having trouble with uploads? Weird.

And, since it took me so long to get the video uploaded,

I decided to re-shoot it, using ‘Tarn’, since I am working with Tarn so much, lately.

Fun!

Here’s a link for how to do one kind of join with Tarn:

Tarn Join

I didn’t have a potholder loom when I was a child, so when I was introduced to it when I was a grownup, I didn’t have any preconceived notions about what it could or could not do. So… I have been designing all kinds of magical and wonderful things for it ever since (for decades, in fact- my love for the potholder loom is a long standing one!!!)

You can see some of the things I have designed for it here: Potholder loom.

Over the years, when I was designing for the Potholder loom, I realized that I needed to be able to weave different shapes and in unusual ways with the looms.  So, I have done a lot of experimenting with it.
I have worked out a bunch of ways of weaving triangles on it, and this is how I twigged to how I could weave a square on the bias on the potholder loom….  after all, a square is just 2 triangles that happen to be in love.

The pesky gaps on the potholder loom were a challenge – but I have solved the mystery of how to deal with them!

How? Well..  check out the video!

Here is the YouTube video tutorial on how to weave a square on the bias on the potholder loom : LINK

Happy Weaving!

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New video tutorial- how to weave with yarn on potholder loom

How long can it take to make a 10 minute video?  LOL…. all day!

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First of all…. you need to plot out how many looms you need to have on the go, and then get them set up so they can be grabbed quick like a bunny to keep the video flowing.

This means that each stage of the video has to be figured out, and just ‘that much’ weaving done on each of the looms.

I had a total of 6 looms on the go for this video.

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So… let the taping begin….

Takes 1, 2 and 3 all were about 42 seconds long as I went… flubbadubba dubba…. cut…

Take 4 :

I bang into the camera stand and send it for a spiral dance, and drop everything as it goes ‘ga-doy-yoi- yoi-yoing’…

Delete.

Start over… (which does indeed mean, starting over! Unweave whatever I did in the video, and get all the looms back to their proper starting point…. EACH TIME – for EVERY TAKE!!!!)

Take 5   went really well, until  I was baffled at why the weaving suddenly just seized up.

Oh… duh… I was standing on the yarn. sigh.

Takes 6 and 7 each had unique little moments….

I snipped the yarn on one of the squares,…… that earned me a re-start.

I BROKE the weaving hook  in Take 7…. I have NEVER broken a weaving hook before, and Clever Clogs, I managed to do it in the middle of a video take.  Throw that for a lark.

Delete.

Go out to workshop and carve a new hook.

Start over….

Take 8: The greyhound sees deer in the yard.

He yodels at deer.

He barks at deer.

He rushes to the door and pounds on it to take his barking and yelping outside.

He knocks me sideways….

Delete.

Start Over….

Take 9: Small dog decides to join the fray….

Delete.

Start Over…..

Take 10…. Brain locks up and tongue does a tap dance.

Delete.

Start Over…..

Take 11…

By this point, the light is fading and I am clenching my jaw in grim determination-

I AM GOING TO GET THIS VIDEO DONE! and that is that…..

Take a deep breath…. forget about Takes 1 – 10…. oh please oh please, may my brain stay in motion, may my hands go where they are meant to, may my feet stay off the yarn, may the dogs puhleeeeeeeeze not go daft again….

And then, it’s done…. take a deep breath… and attempt to upload the video!  Fingers crossed… and…. yes! it’s a go!

Here is the link to the video: LINK

Please note: Everything on this blog is Noreen Crone-Findlay’s original, design, concept and work, and is copyright. Please do not copy without Noreen Crone-Findlay’s permission. Thank you!

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