Category Archives: tapestry

6th Sense One of a Kind Art Dolls

For many months, I have been working really hard on new mixed media fiber art sculptures.

The 6th Sense is intuition/inspiration/imagination.

These one of a kind art dolls are based on dreams, memories, meditations and contemplations and are an invitation to embrace creativity, healing and wholeness.

They are a combination of tapestry weaving, narrow band weaving, lucet cords, tatting, knitting, wood work wire work and leather work.

Here’s a slide show video of my 6th Sense One of a Kind Art dolls.

Most of the 6th Sense One of a Kind Art Dolls in the video are for sale, but some of them have already sold and gone to live in their new homes.

 

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Filed under band loom, doll & dolls & dollmaking & doll making, knitting, Loom & looms & small loom weaving, tapestry, weaving & handwoven, Woven Women tapestries and woven works

Woven Women- Essence

For the last few months, I have been working on a very large mixed media tapestry in my series of ‘Woven Women’.

This one is called: ‘Essence’.

Woven Woman (Essence) by Noreen Crone-Findlay (c)

Woven Woman (Essence) by Noreen Crone-Findlay (c)

She’s over 6 feet tall, and has about 2 feet of warp strands hanging below the lower edge, so she’s about 8 feet tall in total.

I used many different looms to weave her…. beginning with my ‘Story Loom’ (designed by Susan Barret Merrill of

Weaving a Life LINK)

"Essence" on the Story Loom (c) Noreen Crone-Findlay

“Essence” on the Story Loom (c) Noreen Crone-Findlay

I also used:  A rigid heddle loom, a narrow band weaving loom,  peg loom, weaving sticks, Star Loom, tatting and wire work.

I posted links to 3 videos that I made about various looms and techniques I used in weaving ‘Woven Woman: Essence” here: LINK

And, made a video so you can see her a little more clearly:

Happy Weaving, and here’s to Essence, however it reveals itself (or in this case: Herself).

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Woven Women- The Stories We Tell

This is the latest in my series of Woven Women mixed media tapestries: “The Stories We Tell”.

copyright Noreen Crone-Findlay http://www.tottietalkscrafts.com

Here’s the video that explains it:

I wove the center galaxy section on a 15 inch peg loom from Dewberry Ridge looms. The dragonflies and star were also woven on looms that I designed for Dewberry Ridge.

I wove the words on my double slotted rigid heddle.

I worked the hand in Teneriffe lace and lucet cords.

It’s 20 inches/50 cm wide and 21 inches/52.5 cm tall.

It took more than 8 weeks of intensive weaving for me to complete this piece.

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Woven Women- And All Shall Be Well

One of my most favorite prayers is Dame Julian of Norwich’s …

“And All Shall Be Well, and All Shall Be Well, and All Manner of Things Shall Be Well….”

This prayer is a mantra that I repeat to myself through thick and thin, through the darkest nights and hardest moments-   we all have them, and they are transformed into a wellspring of compassion, but, oh my, how incredibly challenging it can be at times to navigate them.

Thank you, Dame Julian, for these words to live by…..

I love weaving words, and have done many woven homages to Dame Julian.

But, this is the first time I have woven her prayer in tapestry-

copyright Noreen Crone-Findlay www.crone-findlay.com

copyright Noreen Crone-Findlay http://www.crone-findlay.com

copyright Noreen Crone-Findlay http://www.crone-findlay.com

copyright Noreen Crone-Findlay http://www.crone-findlay.com

She is approximately 36 inches tall.

I wove the central tapestry panel on my Mirrix 8 inch tapestry loom at 6 epi.

The side and back panels were woven on my 4 harness floor loom at 12 epi.

On her face, there are bits of sea glass, fragments of pottery and seashells, as well as driftwood.

 

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Woven Women tapestries- Seven Ravens

The story, The Seven Ravens, by the Brothers Grimm inspired me to weave a tapestry.

I have been working on it for more than 5 months, and I am thrilled to have finally (!!!) finished it!!!!

While I was weaving it, I tried to remember to take progress pics, so I could make a little video showing how it grew.

I wasn’t very good at remembering to do that, so the pics really lurch and skip, but c’est la vie- sometimes, we lurch, don’t we?

And, now, thank goodness, it’s finally done!!!! yay!!! done done done!

copyright Noreen Crone-Findlay http://www.tottietalkscrafts.com

And, here is the little video showing how it grew:

I am now delighted to be warping up for a new tapestry- yay!

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Woven Women – Three Sisters

Three sisters of the heart- tapestry/mixed media pieces that I wove and fabricated this summer:

copyright Noreen Crone-Findlay http://www.tottietalkscrafts.com

On the left:  Woven Women- Asking for Miracles 36 inches tall
Center: Woven Women- Edith’s Song (no regrets) 31 inches tall
On the right:  Woven Women- Small Bird Sang and All Was Forgiven 36 inches tall

Woven on my Mirrix tapestry looms (16 inch wide loom and 8 inch wide loom).

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Woven Women-Asking for Miracles

Night and day for the last couple of weeks, I have been weaving up a storm, finishing Part 3 of  Rebecca Mezoff’s online tapestry workshop.

And, I have just finished: Woven Women- Asking For Miracles, which is built around the sampler that I wove for Part 3:

 

copyright Noreen Crone-Findlay http://www.tottietalkscrafts.com

The dragon ship on her chest is based on images in the Bayeux tapestries, and the tree of life is based on a fragment of the Overhogdal tapestry fragments that I saw in the Viking exhibition at the Royal British Columbia Museum in Victoria, BC in July.

The Overhogdal tapestry was woven with a linen background, with the figures outlined in soumak and the colors filled in with colored weft in a kind of brocade technique.

The imagery in these tapestries is just so marvelous that I find them really inspiring and love sketching elements from them.

For her head dress, bodice construction, cuffs and hem, I used narrow bands that I wove on my double slotted Swedish rigid heddle loom.

Her head, hands, shoulder medalions, and feet are plywood.

I drew, cut out and burned and painted all the wooden elements.

copyright Noreen Crone-Findlay http://www.tottietalkscrafts.com

Her earrings are made from beads, vintage buttons and reproductions of Viking coins that I bought in the Museum gift shop.

copyright Noreen Crone-Findlay http://www.tottietalkscrafts.com

 

copyright Noreen Crone-Findlay http://www.tottietalkscrafts.com

‘Asking for Miracles’ was woven on my 16 inch Mirrix tapestry loom and is about 36 inches tall.

And, that title?

Well…. there are a lot of things happening these days that could use some miraculous energy to set them to rights…

you know, the wars, the devastations that are being wrought on so many levels and in so many ways on our precious little planet.

As I weave, I often meditate on sending out peaceful, healing energy…. the stuff that miracles are made of, after all, so to be honest, I think that when I am doing this, I am asking for miracles…..

and may your life be full of miracles of healing, wholeness, wonderfulness in every way!

Miracles.

Yes, please.

 

 

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July 2014 Tapestry Diary

I’ve been so busy catching up since we got home from holidays that I forgot to post a pic of my July Tapestry diary.

Here it is:

copyright Noreen Crone-Findlay www.tottietalkscrafts.com

copyright Noreen Crone-Findlay http://www.tottietalkscrafts.com

The title is: ‘Questions’.

It’s 3 inches wide by 5 inches tall.

I wove it on my wee copper pipe loom at 8 epi.

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Woven Women- Small Bird Sang and All Was Forgiven

When we went on holidays in July, I took along 4 small looms- My Norwegian Cradle loom, my 8 inch Mirrix tapestry loom, my wee copper pipe loom and my tiny peg loom.

I warped up my Norwegian Cradle loom with fine cotton to weave a narrow band, using my Swedish double slotted rigid heddle.

The heddle is actually too wide for the Cradle loom, but oddly enough, this worked well in a quirky way.

I wove and wove and wove and wove  as we drove for many, many days, with the Norwegian Cradle loom in my lap:

copyright Noreen Crone-Findlay http://www.tottietalkscrafts.com

The cotton thread in the narrow band is in the same colors that I was using to weave the sampler for Part 2 of the online tapestry course offered by Rebecca Mezoff.

I knew that I wanted to have narrow bands as part of the figure that I was weaving, using the sampler as the body.

And here she is: Her name is:
“Small Bird Sang and All Was Forgiven”.

copyright Noreen Crone-Findlay www.tottietalkscrafts.com

copyright Noreen Crone-Findlay http://www.tottietalkscrafts.com

Her body is the sampler that includes the techniques that were covered in Part Two of the course.

I wove her arms separately, using techniques from Part 2 as well.
I have included driftwood from our beachcombing at the ocean, as well as found objects.

Her hands, head, feet and the archway panel are cut from Baltic birch plywood. (Lovely stuff!)

copyright Noreen Crone-Findlay www.tottietalkscrafts.com

copyright Noreen Crone-Findlay http://www.tottietalkscrafts.com

I burned the features with a wood burning tool, and then painted and embellished with encaustic.

She is 36 inches/90 cm tall.

copyright Noreen Crone-Findlay www.tottietalkscrafts.com

copyright Noreen Crone-Findlay http://www.tottietalkscrafts.com

I wove her body first, then re-warped the loom and wove the arms separately.

copyright Noreen Crone-Findlay www.tottietalkscrafts.com

copyright Noreen Crone-Findlay http://www.tottietalkscrafts.com

Her body and arms were woven on my 8 inch Mirrix tapestry loom, which I also took along on holidays, as it’s a fabulous little traveling loom.

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Woven Women- Edith’s Song

I’ve just finished weaving a new piece that I have called: ‘Edith’s Song: No Regrets’:

copyright Noreen Crone-Findlay http://www.crone-findlay.com

For the last 3 weeks, I have been weaving away, loving working on a sampler for Part One of Rebecca Mezoff’s online tapestry weaving workshop. LINK to her course outlines.  (Love the course, highly recommend it!)

While I was weaving it, I got inspired to weave the last section in 3 panels- one for the torso, and 2 for the arms.

I shaped the upper edge in a semi circle to be the neckline of her bodice, and left empty triangles at the elbows so I could shape bent arms.

I pulled the warp strands to bend the arms and to shape her torso.

copyright Noreen Crone-Findlay http://www.crone-findlay.com

I chose to leave the slits unstitched in the lower panel so I could weave in narrow bands that I had previously woven on my double hole rigid heddle loom.

copyright Noreen Crone-Findlay http://www.crone-findlay.com

I also used the narrow bands as the hem and other embellishments.

I cut the head, hands and feet from 1/4 inch plywood.

copyright Noreen Crone-Findlay http://www.crone-findlay.com

The wings were a serendipitous thrift shop find.

The beads around her face are a peyote stitch tube that I made a couple of years ago and have been waiting for the perfect project.

Woven on my 16 inch Mirrix loom, using Paternayan tapestry yarn that I inherited from my mother and handspun from my daughter in law.

She makes me feel happy.  🙂

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