Tag Archives: hand weaving

Weaving a vest on my Structo loom

The other day, I had a big ‘aha’ moment.

My husband is a jazz musician and composer and completely awesome bundle of wonderfulness, and I love weaving beeeeeuuuuutiful shirts for him to wear when he’s performing. (last year’s Jazz festival shirt: Link).

I have been weaving away on fabric to make him a new shirt for this year’s Jazz Festival, LINK

But…. oops… it’s cream and ecru with lotsa colors…. and, the color that the guys mostly wear to perform in is black.

Our daughter made Jim a gorgeous black shirt from the Folkwear Victorian Gentleman’s shirt pattern, so it’s kinda dumb to weave him another one….. sooooooooooooooo the big AHA was…………… weave him a VEST!!!!!!

Ding! Lights go on, whee’s and skippetty hops and happy dances ensue….

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When our son got married, I used the Folkwear pattern to make him and my hubby kilts, (oh my word.. the grooms men, hubby and our son, all wore kilts and they looked FABULOUS…).

The kilt pattern has a really spiffy vest pattern, which Jim likes (that’s essential- why make it if he doesn’t like it?)

Oh oh, whenever I go on the Folkwear pattern site, it makes me want to buy more patterns. I love their patterns and have been wearing them for more than 3 decades. We actually got married in clothing I sewed from Folkwear patterns, and our children grew up in Folkwear.

(No profit, affiliations etc, just love their patterns)

Okay, just had a brief noodle through their website, and am seriously in love with the Siberian Parka….. hmmmm… that would be fun to weave the fabric for…. hmmmmmm.

Anyhow…. in the midst of meeting design deadlines, and new projects that are so delicious and tantalizing and time consuming,

I am in the throes of weaving up narrow bands for this vest, and loving it!

The vintage Structo looms are kind of like the ‘Featherweight’ sewing machine – tiny, perfectly formed workhorses that are beautifully engineered and much sought after.

Although, after I spent hours the other evening, warping the black cotton, I would have cheerfully sold the blessed loom to the first taker. (Warping black thread at night is not so much fun).

Luckily, I got over my snit, and am now utterly enchanted and weaving merrily away.

Which is good, as the Jazz festival is getting closer and closer…. eep… I need to go meet some deadlines and then get weaving!

😀  Happy weaving!

PS: I carved the shuttle in the photo a few years ago.  🙂

My dear friend, Terri Bibby, is a Saori teacher and weaver extraordinaire, who told me about some shuttles that don’t have a metal rod through them.

This intrigued me, so I made myself one to see how I liked it.

I absolutely love it. I made it small and low profile to fit the small shed of  Structo and Peacock looms. Thumbs up, indeed!

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Video tutorial-How to shape fabric by pulling the warp strands

Yesterday, I posted a blog entry about a shrug that I sewed from my handwoven fabric. (LINK)

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And, then, was asked- ‘Yes, but what does it mean when you say: Pull warp strands?’

So, I have made a video tutorial, showing how to pull warp strands to shape ruffles, like the lower edge of the shrug,

or the upper edge of the ‘Woven Woman: Butterfly Transformation” LINK (to see the full piece)

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Or, you can pull and ease the warp strands into a more graduated curve, like the yoke of this tunic:

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Here’s a closer look:

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And here’s the video:

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Filed under inkle, Loom & looms & small loom weaving, tutorial & how to, weaving & handwoven, Woven Women tapestries and woven works

When should a child start learning how to weave?

It’s never too early, (or too late!) for a child to start learning how to weave.

I bought my daughter her first loom when she was 6 weeks old. It was a little Spears loom #2 from England.

And, when my daughter and son were little,   I had several looms set up for them to weave on, whenever they felt inspired to weave.

And, now, my grandson weaves with me:

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He’s been sitting in my lap at the loom since he was born, and he really gets what weaving is all about.

He’s helping me weave his Grampa’s Saori shirt:

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He’s two now, and he KNOWS about the shuttle!

He demanded the shuttle, and put it into the shed, and helped it across with his beautiful little chubby hands….

He LOVES the bobbin winder:

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His grampa will certainly feel the love that has been woven into this shirt!

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What do I recommend about teaching children to weave?

You don’t need a loom to start teaching a child to weave-  cardboard looms and foam meat trays are great.

(I’ll post some patterns and instructions for them)

Child friendly looms are great- the Cricket is wonderful, as are a whole slew of small looms- ESPECIALLY,

the wonderful potholder loom!

BUT- I DO NOT recommend trying to teach a child to weave with loopers on the potholder loom.

Loops are actually rather challenging to work with.

Yarn is much more user friendly, and I have all kinds of YouTube videos to help you get children weaving.

When you click on my Potholder loom weaving page on my webiste: LINKIE

and scan down to the bottom of the page, you will find all kinds of YouTube links for my video tutorials.

I recommend the book: 1,2,3 Easy as Can Be Critters to weave on the potholder loom

and  Weavagarumi  for beginning weavers.

So, go ahead, and get those kidlets weaving!

It’ll be the gift that keeps on giving, as they will be embarking on a magnificent voyage of discovery that will last their lifetime!

Happy Weaving! 😀

 

 

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Filed under Loom & looms & small loom weaving, potholder loom, tutorial & how to, weaving & handwoven

One of a kind woven art doll-Green Empress and a mini studio tour

Over the last couple of years, I have been weaving a series of tapestries and one of a kind art dolls.

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I am calling this series, ‘Woven Women’. I made a little video mini tour of one corner of my studio, showing ‘The Green Empress’.

The Green Empress brings together many of my favorite fiber techniques: Tapestry weaving, inkle weaving, small loom weaving, crochet, wire work, tatting and punch needle embroidery.

My plan is to eventually have enough ‘Woven Women’ for a one woman show. I don’t have enough of them finished yet, but I am working on it!

Here are some more photos and the video tour that shows The Green Empress:

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Her face is punch needle embroidery and her crown is tapestry weave.

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Her hands are heavy gauge wire, wrapped with cotton thread. They are cupped so they can hold small objects.

Her arms are inkle bands and 2 inch Weave it Squares, stitched and shaped and layered.

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Her feet are a combination of 2 inch squares that I wove on my vintage Weave it loom, with Inkle weaving.

I just kept stitching and shaping until I was happy with her feet.

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I crocheted wire in an open work mesh to shape her body and skirt.

They, I wove miles of inkle bands (woven on my Schacht inkle loom) through them.

I also wove in tatted lace, too. The skirt is about 24 inches wide, but is folded and stitched.

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This closeup shows a small panel of punch needle embroidery , tatting, inkle weaving and the copper wire armature.

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Close up of one eye and part of the crown.  You can see that I love Byzantine art, as there is a definite influence here.

And, here is the link to a mini studio tour, with my wonderful husband playing one of his compositions (with our small dog in his lap, as small dog insists on sitting in Jim’s lap when he plays and practices!)

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Filed under crochet, doll & dolls & dollmaking & doll making, Loom & looms & small loom weaving, weaving & handwoven, Woven Women tapestries and woven works

Small loom weaving in springtime

All the looms in my studio have been full of happy warps.

As well as working oh so hard on a couple of new books (one on potholder loom weaving and one on Lily Speed-O-Weave looms) as well as designing for magazines, I have been weaving up a storm.

Here’s a little of what’s going on:

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I am working on a new freeform weaving  jacket that is all in creams, whites and naturals.  This is the first sleeve.

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There are several yards of the jacket fabric on ‘Patient Zillah’, my ‘paper doll’ manequin- the jacket fabric is the widest, plain cream, highly textured layer under amost a hundred yards  of narrow strips of fabric. I wove  the jacket fabric on a rigid heddle loom.

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I am also working on a tunic or shirt for me and am going to be piecing strips of narrow fabric together for it.

The narrower lengths of fabric were woven on my Structo loom.

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I am madly in love with small loom weaving, and dearly love  my old vintage looms.

I have had to do some fixing up to make it work, but it’s been pure delight to get it fully functional again.

I put really really long warps on them and have had a delightful time playing with clasped wefts as well as different patterns.

I love the freeform philosophy of weaving- it’s all about feeling free to play and express your creativity in any way that ignites your imagination.

So, when I was learning the ins and outs and ups and downs of the Structo looms, I felt quite free to change my flight plan whenever I got bored with a pattern or became interested in a new one. It’s all about the learning process and I love that.

My shirt/tunic will be a record of some very playful weaving.

I am hoping that he will let me break loose and weave him a much ‘jazzier’ vest to go over the serene shirt!!!

I wanted to do a beautiful, artsy photo of the miles of fabric, draped over the branches of the apple tree that is right outside the studio window. It’s heavenly – stuffed full of glorious blossoms, and oh so beautiful!

BUT!

The mosquitoes are so vicious and the clouds of them are SO intense, that I am barely able to go outside, let alone be draping miles of fabric in the tree! so, you’ll have to use your imagination, and just envision all kinds of lovely fabric strips hanging in this tree:

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Would you like to see a little of what I have been up to with my potholder looms in the last year, as I work on the new book?

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This is the ‘Gossamer Wings Woven Butterfly Shawl’ to weave on the Potholder loom.

I love this shawl so much that I decided to release it as a stand alone pattern.

You can read all about it, and order the pattern, if you’d like, 🙂 at:

http://www.crone-findlay.com/Crone-FindlayCreationsPotholderLoomWeaving.html

I decided to take a little break and finish the book on weaving on the Lily Speed-O-Weave loom.

I’ve been working on this book, on and off for several years, and finally, after a whole bunch of people have sent me notes, asking for it, I decided: Okay… Just do it!

Of course, I totally under-estimated how long it would take to do it, as I have been re-writing, re-photographing, photo-shopping, then re-doing it all over and over… you know how it goes in the editing and polishing… and besides, I got all inspired and excited and came up with a whole bunch of new projects.

One of the things that struck me this week, is that I really needed to put in at least one project that shows a traditional pattern on the Lily Speed-O-Weave. I have been so busy with coming up with innovative ways of working with the looms, that I forgot that there will be people who want some of the ‘classic’ stuff, too.

So, here’s for the fans of the ‘classics’…. the standard flower pattern…. although, I present it in a way that is a heck of a lot easier to understand than some of the old old booklets.

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So, there you have it!  A little of what’s been going on in my studio!

Happy springtime and happy yarntime!

And, as always, big hugs all round 🙂

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Inkle Loom Dimensions

Recently, someone asked me about the dimensions of my inkle loom.

So, I’ve taken pictures of my loom and measured it, in hopes that this helps her husband in building her inkle loom.

My husband built mine from reclaimed wood from pallets, and it’s VERY hard wood.

You need hardwood for an inkle loom, as you put so much pressure on it.

I have woven everything from rugs to garments to bags to bookmarks on this loom. I love it.

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I am not alone in loving my inkle loom…. my cats LOVE to help me warp it!

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All images and content on this blog are copyright and not to be reproduced without permission.

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Weaving Words

I love weaving words into inkle woven bands.

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In this picture, Tottie Tomato is wrapped in the words of Dame Julian of Norwich’s prayer:

And all shall be well

and all shall be well

and all manner of things shall be well…

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I love this prayer and say it allllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllll the time……….

To pay homage to Dame Julian and her wonderful prayer,  I wove the bands that I used to shape her body (and her banner) on my inkle loom. I crocheted her hands and head, and wove the remainder of the elements of the sculpture on various other small looms.

I use a simple pickup technique for weaving words.

A picture is worth a thousand words, so I think I should put ‘do a video of  weaving words’ on my to do list!

The images in this blog entry are copyright and not to be used by anyone else for anything else….

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Another healing/prayer shawl made with the mitered loop method

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Last week, I wrote about weaving healing and prayer shawls on my Cricket Loom, using a method that I have developed (the mitered loop shawl). Here’s the link to the tutorial

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This is one of the shawls that I have just woven for my daughter. The colors didn’t show up at all well… sigh. It’s much prettier in person! Much more turquoise-y.

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Weaving a healing or prayer shawl on the Cricket loom

Recently, my sister-in-law had an abscess in her brain, which is devastating and life threatening.

Her friends and family rallied around her and have formed a loving caregiving team.

I decided that as part of my caregiving, I would weave healing and prayer shawls for her and some of her closest friends.

So, I warped up the Cricket Loom from Schacht (I love this loom…. it’s beautifully engineered and weaves like a dream. It’s small enough to be portable – you can weave in the car, and big enough to handle full size projects.)

Here’s the Cricket warped up for one of the healing / prayer shawls:

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I put approximately 150 inches of warp onto the loom, which is pushing the limit, but there’s a reason for that.

I used Caron Simply Soft combined with some tweed weaving thread from my stash for the warp, and the tweed thread for the weft.

I used 2 strands of yarn in each of the slots and holes. I put the tweed yarn only in the holes and the mixture of yarns in the slots.

After I wove the long strip of fabric, I folded it, and stitched the ends together like this:

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This forms a long loop. Trim the excess warp strands to a few inches. If you use a sewing machine, use a zig zag stitch. If you do it by hand, work a Philipine edge first to secure the warp strands

Now, fold the ends into points:

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Pin the folds in place, and sew the center seam. Stitch the ends in place, and steam and press.

Voila! a beautiful  healing or prayer shawl:

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